Synopsis: Rising reporter Michael Ward is a key witness in the murder trial of young Joe Briggs, who is convicted on circumstantial evidence while swearing innocence. Get your swag on with discounted movies to stream at home, exclusive movie gear, access to advanced screenings and discounts galore. Everyone around him is certain Briggs will be convicted largely on his testimony. Ward finds the body, notifies police and points out the similarities in the two murders. The director, Boris Ingster, is better with shadows than with actors – venetian blinds carve up the characters with more fateful force than Paul Schrader's similar gambit in American Gigolo, and there's a dream sequence that has to be seen to be disbelieved. Joe swears innocence, but based on the circumstantial evidence he is convicted and sentenced to the electric chair.

"[9], The staff writer at Variety also believed the film was derivative, and wrote, "The familiar artifice of placing the scribe in parallel plight, with the newspaperman arrested for two slayings and only clearing himself because of his sweetheart's persistent search for the real slayer, is used ... Boris Ingster's direction is too studied and when original, lacks the flair to hold attention. Michael's girl Jane believes in Joe and blames Michael, who (in a remarkable sequence) dreams he is himself convicted of murdering his nosy neighbor. Tyler Posey realizes he's on his own in an exclusive clip from 'Alone,' now on FandangoNOW, What to Watch on FandangoNOW: ‘Train to Busan Presents: ‘Peninsula,’ ‘The Craft: Legacy’ and More, This Week in Movie News: 2 ‘Fast & Furious’ Movies 2 Go After ‘F9,’ Joaquin Phoenix is Napoleon for Ridley Scott. Get Movies. Michael's fiancée Jane feels uncomfortable with the sentence and believes that Joe might be innocent. Buy Movies.

Rising newspaper reporter Michael Ward is the key witness at the trial of Joe Briggs where he testifies that he saw the unfortunate Briggs fleeing the scene of a murder and previously heard him verbally threaten the victim, coffee shop owner Nick. Collect bonus rewards from our many partners, including AMC, Stubs, Cinemark Connections, Regal Crown Club when you link accounts. Will his dream come true before Jane can find the real murderer? Ward has a terrifying dream in which the neighbor is indeed murdered and he comes under suspicion.

Screen Reader Users: To optimize your experience with your screen reading software, please use our Flixster.com website, which has the same tickets as our Fandango.com and MovieTickets.com websites. One evening, outside his room in the house where he lives, Ward sees an odd-looking stranger.

Thanks to its performances, all perfect, and its staging, "Stranger on the Third Floor" is a discovery that still surprises more than seventy years later. Reporter Michael Ward is the key witness in a murder trial. It turns out the neighbor was killed the same way as the man in the diner. | It's absurdly overwrought (which was often the problem with the German variety), but interesting for it. Rising reporter Michael Ward is the key witness in the murder trial of young Joe Briggs, who is convicted on circumstantial evidence while swearing innocence. His evidence – that he saw the accused, Joe Briggs, standing over the body of a man in a diner – is instrumental in having Briggs found guilty. Parents Guide. His evidence – that he saw the accused, Joe Briggs, standing over the body of a man in a diner – is instrumental in having Briggs found guilty. An aspiring reporter is the key witness at the murder trial of a young man accused of cutting a café owner's throat and is soon accused of a similar crime himself.

Based primarily on the circumstantial evidence of Michael's testimony, Briggs is convicted and sentenced to die in the electric chair. Michael calls the police and is arrested as prime suspect of both murders. Michael Ward is the key witness - the only eyewitness - for the prosecution in the trial of Joe Briggs, who is accused of killing Nick Narbajan, the proprietor of the coffee shop across the street from where Michael lives. Earn 125 points on every ticket you buy. Briggs is convicted despite crying his innocence and the reporter begins to feel guilty for the key role he played in the trial. Featured Products TCM Annual Catalog: 2019 Edition. | Plot Keywords Peter Lorre plays the eerie title role in this once-neglected gem about a reporter (John McGuire) whose testimony sentences a small-time loser (Elisha Cook Jr.) to the electric chair for murder. Ingster would later become a television producer.

Stranger on the Third Floor was Boris Ingster's directorial debut. [Full Review in Spanish] "[8] Muller calls his work on this film "spectacular". Shaken by the verdict and by his fiancée Jane's intuition about Briggs's innocence, Michael returns to his room, where he begins to brood about the events that led up to Briggs' arrest. Mike's girl Jane believes in Joe and blames Mike, who (in a remarkable sequence) dreams he is himself convicted of murdering his nosy neighbor. [8][6], In the introduction to Turner Classic Movies' Noir Alley presentation of the film, Eddie Muller compared the style of the film to that of German Expressionist films. He is arrested and, in order to clear him, Jane sets out to find the strange man.

$4.52. Part of that self-questioning includes his own thoughts toward his next door neighbor, Alfred Meng, against who he has said to himself proverbially "I could kill him" after each of their many antagonistic encounters and whether he either truly meant it any of those times or could actually kill if provoked. Stranger on the Third Floor is a 1940 American film noir directed by Boris Ingster and starring Peter Lorre, John McGuire, and Margaret Tallichet, and featuring Elisha Cook Jr.. That Touch of Mink DVD $14.96 The Ghost And Mrs. Muir DVD $11.21 Forbidden Hollywood: The Pre-Code Era (1930-1934): When Sin Ruled the Movies Book $22.95 Learn more Another part of that questioning is lately seeing in the neighborhood a strange looking man, whose behavior is suspicious enough potentially to be tied to murder.

[8], Upon its release in 1940, The New York Times film critic Bosley Crowther called the film pretentious and derivative of French and Russian films, and wrote, "John McGuire and Margaret Tallichet, as the reporter and his girl, are permitted to act half-way normal, it is true.

[6] In addition, the work of special effects artist Vernon L. Walker was excellent, despite the constraints of a B movie budget, and the score of Roy Webb, who was RKO's house composer at the time, contributes significantly to the film's mood. Michael's paranoia continues in his dreams, and he awakens to find that his nightmare has come true and that Meng's throat has been slit. Michael loses his confidence and feels remorse for his testimony accusing Joe.

[1] Ingster, who was born in Latvia, was formerly a writer, and an associate of noted Russian director Sergei Eisenstein. | Rack up 500 points and you'll score a $5 reward for more movies. She finds him feeding a stray dog and learns that he has escaped from an insane asylum. "[8], Rotten Tomatoes reported an 83% approval rating with an average rating of 6.6/10 based on six professional reviews.[12]. Approved | 1h 4min | Crime, Drama, Film-Noir | 16 August 1940 (USA) An aspiring reporter is the key witness at the murder trial of a young man accused of cutting a café owner's throat and is soon accused of a similar crime himself. She finds him feeding a stray dog and learns that he has escaped from an insane asylum. Realizing that the only way to prove Michael's innocence is to find the stranger, Jane begins to search for the man. "[8] Robert Portfino called it "a distinct break in style and substance with the preceding mystery, crime, detection and horror films of the 1930s.

Critics and fans agree: Stranger on the Third Floor is the little B picture that launched one of the greatest movements in cinema history: film noir. Jane seeks out the stranger on the streets to save her fiancé. [6] Jeremy Arnold writes that "[The film's] extraordinary look and tone are the product of stylized sets, bizarre angles and lighting, and a powerful blurring of dream and reality – qualities strongly influenced by German expressionist films of the 1920s.

As such, he, a reporter, gets a front page byline story at his newspaper, The New York Star, the story his first hand account, which includes his one and only previous encounter with the accused providing some grounding for motive but which does not include him actually having seen the accused kill the victim. movie theaters are playing Stranger on the Third Floor near you. He had previously worked on King Kong in 1933 and The Hunchback of Notre Dame in 1939, and worked on the sets for Citizen Kane. Michael threatens Meng and later he sees a stranger with bulging eyes on his floor that runs away from him. It was written by Frank Partos. Rack up 500 points and you'll score a $5 reward for more movies. With the high profile story comes a $12 raise, which will allow him enough financial security to marry his girlfriend Jane and move out of the rooming house where he lives. Michael notes the similarities between the murder of Meng and Nick and surmises that the same person must have committed both, which would exonerate the currently jailed Briggs. Harrison, wrote that "at [the film's] conclusion, one feels as if one had gone through a nightmare. SEE DETAILS. Before dying, the stranger confesses to the murders, thus exonerating both Michael and Briggs of the crimes. "[10], Dave Kehr of the Chicago Reader wrote: "An RKO B-film from 1940, done up in high Hollywood expressionism. Nonetheless, it has many of the hallmarks of film noir: an urban setting, heavy shadows, diagonal lines, voice-over narration, a dream sequence, low camera angles shooting up multi-story staircases, and an innocent protagonist desperate to clear himself after being falsely accused of a crime. Afterwards, Ward's fiancée Jane begins worrying that Ward may not have been correct in what he saw; eventually Ward becomes haunted by this question.

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